5. Drama
You can test what you've learned in the tutorial for TEI by Example Module 5: Drama by taking the following quiz.
It consists of a number of multiple choice questions, each providing a number of possible answers. Select the answer you think is correct by clicking it. There are 2 possibilities:
It consists of a number of multiple choice questions, each providing a number of possible answers. Select the answer you think is correct by clicking it. There are 2 possibilities:
- The answer is correct: hurrah! a popup box appears telling you why this is the correct answer. You can still check why the other answers are incorrect by clicking them. This will not reduce your score, though.
- The answer is incorrect: pity, but you get a second chance! A popup box tells you why the answer is incorrect. You can still choose the other answers until you find the correct one. Mind you, until you clicked the correct answer, each incorrect answer will reduce your score.
- The TEI drama module is intended for the encoding of:
- written (or printed) drama texts
- melodramatic texts
- drama performances
- catastrophes and dramatic events
- What is the best way to mark up an act in a drama text?
- <act>
- <div type="act">
- <div>
- <division type="act">
- How could following speech line be encoded?
HAMLET: To be, or not to be: that is the question:
...-
<sp>
<speaker>HAMLET</speaker>
<lg>
<l>To be, or not to be: that is the question:</l>
<!-- ... -->
</lg>
</sp><sp xmlns="http://www.tei-c.org/ns/1.0"><speaker>HAMLET</speaker><lg></sp><l>To be, or not to be: that is the question:</l><!-- ... --></lg> -
<speech>
<speaker>HAMLET</speaker>
<lg>
<l>To be, or not to be: that is the question:</l>
<!-- ... -->
</lg>
</speech><speech xmlns="http://www.tei-c.org/ns/1.0"><speaker>HAMLET</speaker><lg></speech><l>To be, or not to be: that is the question:</l><!-- ... --></lg> -
<l>
<sp>
<speaker>HAMLET</speaker>
To be, or not to be: that is the question:
</sp>
</l>
<!-- ... --><l xmlns="http://www.tei-c.org/ns/1.0"><sp></l><speaker>HAMLET</speaker>To be, or not to be: that is the question: </sp><!-- ... --> -
<sp>
<l><speaker>HAMLET</speaker>
To be, or not to be: that is the question:</l>
<!-- ... -->
</sp><sp xmlns="http://www.tei-c.org/ns/1.0"><l><speaker>HAMLET</speaker>To be, or not to be: that is the question:</l><!-- ... --></sp>
-
- What is the <stage> element used for?
- To describe physical aspects of the stage on which the play is performed.
- To indicate instructions to the actors of a play.
- To structure a drama text into amounts of time.
- To indicate the floor on which a particular scene is situated in the play.
- What is wrong with the description of the setting in following example:
<front>
<titlePage>
<titlePart type="main"> A Doll's House</titlePart>
<docAuthor>Henrik Ibsen</docAuthor>
</titlePage>
<pb/>
<castList>
<head>Dramatis Personae</head>
<castItem><!-- ... --></castItem>
<!-- ... -->
</castList>
<stage type="set">
<p>(The action takes place in Helmer's house.)</p>
</stage>
</front><front xmlns="http://www.tei-c.org/ns/1.0"><titlePage><titlePart type="main"> A Doll's House</titlePart><docAuthor>Henrik Ibsen</docAuthor></titlePage><pb/><castList><head>Dramatis Personae</head><castItem><!-- ... --></castItem><!-- ... --></castList><stage type="set"></front><p>(The action takes place in Helmer's house.)</p></stage>- <p> is not allowed inside <stage>.
- The description of the general setting in the front part should precede the cast list.
- <stage> can't have a @type attribute.
- <stage> is not allowed in <front>
- The <tech> element is used for:
- encoding technical directions (for example: lighting information)
- encoding stage directions addressing specific acting techniques
- encoding information about the setting of the action
- nothing: it is not a TEI element
- What could be a plausible encoding for following epilogue in Shakespeare's As You Like it?
ROSALIND.
It is not the fashion to see the lady the epilogue; but
it is no more unhandsome than to see the lord the prologue.
If it be true that good wine needs no bush, 'tis true that a good
play needs no epilogue. Yet to good wine they do use good bushes;
and good plays prove the better by the help of good epilogues.
...-
<back>
<prologue>
<sp>
<speaker>ROSALIND.</speaker>
<l>It is not the fashion to see the lady the epilogue; but</l>
<l>it is no more unhandsome than to see the lord the prologue.</l>
<l>If it be true that good wine needs no bush, 'tis true that a good</l>
<l>play needs no epilogue. Yet to good wine they do use good bushes;</l>
<l>and good plays prove the better by the help of good epilogues.</l>
<!-- ... -->
</sp>
</prologue>
</back><back xmlns="http://www.tei-c.org/ns/1.0"><prologue></back><sp></prologue><speaker>ROSALIND.</speaker><l>It is not the fashion to see the lady the epilogue; but</l><l>it is no more unhandsome than to see the lord the prologue.</l><l>If it be true that good wine needs no bush, 'tis true that a good</l><l>play needs no epilogue. Yet to good wine they do use good bushes;</l><l>and good plays prove the better by the help of good epilogues.</l><!-- ... --></sp> -
<body>
<div type="act">
<!-- ... -->
</div>
<epilogue>
<sp>
<speaker>ROSALIND.</speaker>
<l>It is not the fashion to see the lady the epilogue; but</l>
<l>it is no more unhandsome than to see the lord the prologue.</l>
<l>If it be true that good wine needs no bush, 'tis true that a good</l>
<l>play needs no epilogue. Yet to good wine they do use good bushes;</l>
<l>and good plays prove the better by the help of good epilogues.</l>
<!-- ... -->
</sp>
</epilogue>
</body><body xmlns="http://www.tei-c.org/ns/1.0"><div type="act"><!-- ... --></div><epilogue></body><sp></epilogue><speaker>ROSALIND.</speaker><l>It is not the fashion to see the lady the epilogue; but</l><l>it is no more unhandsome than to see the lord the prologue.</l><l>If it be true that good wine needs no bush, 'tis true that a good</l><l>play needs no epilogue. Yet to good wine they do use good bushes;</l><l>and good plays prove the better by the help of good epilogues.</l><!-- ... --></sp> -
<back>
<epigraph>
<sp>
<speaker>ROSALIND.</speaker>
<l>It is not the fashion to see the lady the epilogue; but</l>
<l>it is no more unhandsome than to see the lord the prologue.</l>
<l>If it be true that good wine needs no bush, 'tis true that a good</l>
<l>play needs no epilogue. Yet to good wine they do use good bushes;</l>
<l>and good plays prove the better by the help of good epilogues.</l>
<!-- ... -->
</sp>
</epigraph>
</back><back xmlns="http://www.tei-c.org/ns/1.0"><epigraph></back><sp></epigraph><speaker>ROSALIND.</speaker><l>It is not the fashion to see the lady the epilogue; but</l><l>it is no more unhandsome than to see the lord the prologue.</l><l>If it be true that good wine needs no bush, 'tis true that a good</l><l>play needs no epilogue. Yet to good wine they do use good bushes;</l><l>and good plays prove the better by the help of good epilogues.</l><!-- ... --></sp> -
<back>
<epilogue>
<sp>
<speaker>ROSALIND.</speaker>
<l>It is not the fashion to see the lady the epilogue; but</l>
<l>it is no more unhandsome than to see the lord the prologue.</l>
<l>If it be true that good wine needs no bush, 'tis true that a good</l>
<l>play needs no epilogue. Yet to good wine they do use good bushes;</l>
<l>and good plays prove the better by the help of good epilogues.</l>
<!-- ... -->
</sp>
</epilogue>
</back><back xmlns="http://www.tei-c.org/ns/1.0"><epilogue></back><sp></epilogue><speaker>ROSALIND.</speaker><l>It is not the fashion to see the lady the epilogue; but</l><l>it is no more unhandsome than to see the lord the prologue.</l><l>If it be true that good wine needs no bush, 'tis true that a good</l><l>play needs no epilogue. Yet to good wine they do use good bushes;</l><l>and good plays prove the better by the help of good epilogues.</l><!-- ... --></sp>
-
- What does the <performance> element mean?
- It signals that its content captures the actual performance of a drama text.
- It is a specialised means to encode performance-related stage instructions in the body of a drama text.
- It describes aspects on how a drama text should be performed, or has been performed in the past.
- It describes the actors of a play.