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        <title type="main">TEI by Example</title>
        <title type="sub">Module 3: Prose</title>
        <author xml:id="EV">Edward Vanhoutte</author>
        <author xml:id="RvdB">Ron Van den Branden</author>
        <editor xml:id="MT">Melissa Terras</editor>
        <sponsor>Association for Literary and Linguistic Computing (ALLC)</sponsor>
        <sponsor>Centre for Data, Culture and Society, University of Edinburgh, UK</sponsor> 
        <sponsor>Centre for Digital Humanities (CDH), University College London, UK</sponsor>
        <sponsor>Centre for Computing in the Humanities (CCH), King’s College London, UK</sponsor>
        <sponsor>Centre for Scholarly Editing and Document Studies (CTB) , Royal Academy of Dutch Language and Literature, Belgium</sponsor>
        <funder>
          <address>
            <addrLine>Centre for Scholarly Editing and Document Studies (CTB)</addrLine>
            <addrLine>Royal Academy of Dutch Language and Literature</addrLine>
            <addrLine>Koningstraat 18</addrLine>
            <addrLine>9000 Gent</addrLine>
            <addrLine>Belgium</addrLine>
          </address>
          <email>ctb@kantl.be</email>
        </funder>
        <principal>Edward Vanhoutte</principal>
        <principal>Melissa Terras</principal>
      </titleStmt>
      <publicationStmt>
        <publisher>Centre for Scholarly Editing and Document Studies (CTB) , Royal Academy of Dutch Language and Literature, Belgium</publisher>
        <distributor>Centre for Scholarly Editing and Document Studies (CTB) , Royal Academy of Dutch Language and Literature, Belgium</distributor>
        <pubPlace>Gent</pubPlace>
        <address>
          <addrLine>Centre for Scholarly Editing and Document Studies (CTB)</addrLine>
          <addrLine>Royal Academy of Dutch Language and Literature</addrLine>
          <addrLine>Koningstraat 18</addrLine>
          <addrLine>9000 Gent</addrLine>
          <addrLine>Belgium</addrLine>
        </address>
        <availability status="free">
          <p>Licensed under a <ref target="http://creativecommons.org/licenses/by-sa/3.0/">Creative Commons Attribution ShareAlike 3.0 License</ref>
                    </p>
        </availability>
        <date when="2010-07-09">9 July 2010</date>
      </publicationStmt>
      <seriesStmt>
        <title>TEI by Example.</title>
        <respStmt>
          <name>Edward Vanhoutte</name>
          <resp>editor</resp>
        </respStmt>
        <respStmt>
          <name>Ron Van den Branden</name>
          <resp>editor</resp>
        </respStmt>
        <respStmt>
          <name>Melissa Terras</name>
          <resp>editor</resp>
        </respStmt>
      </seriesStmt>
      <sourceDesc>
        <p>Digitally born</p>
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        <p>TEI by Example offers a series of freely available online tutorials walking individuals through the different stages in marking up a document in TEI (Text Encoding Initiative). Besides a general introduction to text encoding, step-by-step tutorial modules provide example-based introductions to eight different aspects of electronic text markup for the humanities. Each tutorial module is accompanied with a dedicated examples section, illustrating actual TEI encoding practise with real-life examples. The theory of the tutorial modules can be tested in interactive tests and exercises.</p>
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        <language ident="en-GB">en-GB</language>
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    <revisionDesc>
      <change when="2020-06-18" who="#RvdB">technical revision</change>
      <change when="2010-07-20" who="#RvdB">added section #references: <q>Bibliographic and general references</q>
            </change>
      <change when="2010-07-13" who="#RvdB">
                <list>
                    <item>added distinction <gi>gi</gi> — <tag>gi scheme="..."</tag> — <gi>tag</gi>
                    </item>
        <item>final spellcheck</item>
                </list>
            </change>
      <change when="2010-07-09" who="#RvdB">release</change>
      <change when="2010-07-08" who="#RvdB">changed example text</change>
      <change when="2009-11-30" who="#RvdB">corrected typos</change>
      <change when="2009-10-28" who="#EV">Information added and partially rewrit of 2.6 for coordination purposes with module 1</change>
      <change when="2008-07-16" who="#RvdB">completed prose tutorial</change>
      <change when="2008-06-25" who="#EV">added remark about paragraph and div mixing in 2.1. Paragraphs</change>
      <change when="2008-06-19" who="#EV">correcting</change>
      <change when="2008-05-15" who="#EV">authoring</change>
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        <head>Introduction</head>
        <p>It’s quite difficult to define prose. Prose is not poetry and not drama. Prose is the default way of communication in the Western World. It is the main genre for fictional and non-fictional writing in books, newspapers, flyers, reports, presentations, etc. Novels, business reports, manuals, cookery books, glossy magazines, and transcriptions of conversations are all written in prose.</p>
        <p>The OED defines prose as: <cit>
                        <quote source="#quoteref2">Language in the form in which it is typically written (or spoken), usually characterized as having no deliberate metrical structure (in contrast with verse or poetry)</quote> <bibl xml:id="quoteref2">
                            <title level="m">Oxford English Dictionary</title>, <title level="a">prose</title>, 1a</bibl>
                    </cit> and further sums up a couple of features such as the avoidance of elaboration, metaphorical language, and imaginative contents that distinguishes prose from poetry but do, however, characterize fictional prose.</p>
        <p>As with all types of text, prose has structure and meaning. The TEI Guidelines do not devote a dedicated chapter to prose, since prose is the default TEI genre. However, the TEI does offer means to encode structural, semantic, and analytical features in prose. In this module, we bring together most of the encoding suggestions that are scattered throughout the TEI Guidelines and present a didactic approach towards encoding prose texts.</p>
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