Examples for Module 3: Prose

3. Emily Bronte: Wuthering Heights

The following example is a fragment of Emily Bronte's novel Wuthering Heights, encoded and made available by the University of Virginia Library, for their Text Collection. The work consists of two volumes, containing 34 chapters. They are encoded as numbered text divisions. Each volume is encoded as <div1 type="volume">; each chapter occurs one level deeper as <div2 type="chapter">. Structurally, the text is fairly simple, consisting mainly of paragraphs (<p>). Page breaks are encoded as <pb/> elements, whose @n attributes record the number of the respective pages. The transcription contains one quoted song, encoded as a <q> element, in which each quoted song line occurs as <l>:
<q>
<l>"It was far in the night, and the bairnies grat,</l>
<l>The mither beneath the mools heard that" — </l>
</q>
One more complex structure consists of an embedded epistle, concluding the 17th chapter. This is encoded as a <div3 type="epistle"> element. The text's concluding formula The End is transcribed as <trailer> inside the last chapter.
<text xml:id="d1">
<body xml:id="d2">
<div1 type="volume" n="1" xml:id="d3">
<head>Volume 1</head>
<!-- ... -->
<div2 type="chapter" n="1.13" xml:id="d16">
<head>Chapter 1.13</head>
<pb n="134"/>
<p>For two months the fugitives remained absent; in those two months, Mrs. Linton encountered and conquered the worst shock of what was denominated a brain fever. No mother could have nursed an only child more devotedly than Edgar tended her. Day and night he was watching, and patiently enduring all the annoyances that irritable nerves and a shaken reason could inflict: and, though Kenneth remarked that what he saved from the grave would only recompense his care by forming the source of constant future anxiety — in fact, that his health and strength were being sacrificed to preserve a mere ruin of humanity — he knew no limits in gratitude and joy, when Catherine's life was declared out of danger; and hour after hour he would sit beside her, tracing the gradual return to bodily health, and flattering his too sanguine hopes with the illusion that her mind would settle back to its right balance also, and she would soon be entirely her former self.</p>
<p>The first time she left her chamber, was at the commencement of the following March. Mr. Linton had put on her pillow, in the morning, a handful of golden crocuses; her eye, long stranger to any gleam of pleasure, caught them in waking, and shone delighted as she gathered them eagerly together.</p>
<p>"These are the earliest flowers at the Heights!" she exclaimed. "They remind me of soft thaw winds, and warm sunshine, and nearly melted snow — Edgar, is there not a south wind, and is not the snow almost gone ?"</p>
<p>"The snow is quite gone down here, darling," replied her husband, "and I only see two white spots on the whole range of moors. The sky is blue, and the larks are singing, and the becks and brooks are all brim full. Catherine, last spring at this time I was longing to have you under this roof; now I wish you were a mile or two up those hills; the air blows so sweetly, I feel that it would cure you." </p>
<pb n="135"/>
<p>"I shall never be there but once more," said the invalid; "and then you'll leave me, and I shall remain for ever. Next spring you'll long again to have me under this roof, and you'll look back and think you were happy to-day." </p>
<p>Linton lavished on her the kindest caresses, and tried to cheer her by the fondest words; but, vaguely regarding the flowers, she let the tears collect on her lashes and stream down her cheeks unheeding. We knew she was really better, and therefore decided that long confinement to a single place produced much of this despondency, and it might be partially removed by a change of scene. The master told me to light a fire in the many-weeks-deserted parlour, and to set an easy-chair in the sunshine by the window; and then he brought her down, and she sat a long while enjoying the genial heat, and, as we expected, revived by the objects round her, which, though familiar, were free from the dreary associations investing her hated sick chamber. By evening she seemed greatly exhausted, yet no arguments could persuade her to return to that apartment; and I had to arrange the parlour sofa for her bed, till another room could be prepared. To obviate the fatigue of mounting and descending the stairs, we fitted up this, where you lie at present, on the same floor with the parlour; and she was soon strong enough to move from one to the other, leaning on Edgar's arm. Ah, I thought myself she might recover, so waited on as she was. And there was double cause to desire it, for on her existence depended that of another; we cherished the hope that in a little while Mr. Linton's heart would be gladdened, and his lands secured from a stranger's gripe, by the birth of an heir. </p>
<p>I should mention that Isabella sent to her brother, some six weeks from her departure, a short note announcing her marriage with Heathcliff. It appeared dry and cold, but at the bottom was dotted in with pencil an obscure apology, and an entreaty for kind remembrance and reconciliation, if her proceeding had offended him, asserting that she could not help it then, and, being done, she had now no power to repeal it. <pb n="136"/>Linton did not reply to this, I believe; and in a fortnight more I got a long letter which I considered odd, coming from the pen of a bride just out of the honeymoon. I'll read it, for I keep it yet. Any relic of the dead is precious if they were valued living. </p>
<div3 type="epistle" xml:id="d17">
<p>DEAR ELLEN, it begins, I came last night to Wuthering Heights, and heard for the first time that Catherine has been, and is yet, very ill. I must not write to her, I suppose, and my brother is either too angry or too distressed to answer what I sent him. Still, I must write to somebody, and the only choice left me is you. </p>
<p>Inform Edgar that I'd give the world to see his face again — that my heart returned to Thrushcross Grange in twenty-four hours after I left it, and is there at this moment, full of warm feelings for him and Catherine. I can't follow it, though (those words are underlined); they need not expect me; and they may draw what conclusions they please, taking care, however, to lay nothing at the door of my weak will or deficient affection. </p>
<p>The remainder of the letter is for yourself alone. I want to ask you two questions; the first is — How did you contrive to preserve the common sympathies of human nature when you resided here? I cannot recognize any sentiment which those around share with me. </p>
<p>The second question I have great interest in; it is this — Is Mr. Heathcliff a man? If so, is he mad? And if not, is he a devil? I shan't tell my reasons for making this inquiry, but I beseech you to explain, if you can, what I have married — that is, when you call to see me; and you must call, Ellen, very soon. Don't write, but come, and bring me something from Edgar. </p>
<p>Now you shall hear how I have been received in my new home, as I am led to imagine the Heights will be. It is to amuse myself that I dwell on such subjects as the lack of external comforts; they never occupy my thoughts, except at the moment when I miss them. I should laugh and dance for joy if I found their absence <pb n="137"/> was the total of my miseries, and the rest was an unnatural dream. </p>
<p>The sun set behind the Grange as we turned on to the moors: by that I judged it to be six o'clock; and my companion halted half an hour to inspect the park and the gardens, and probably the place itself, as well as he could; so it was dark when we dismounted in the paved yard of the farmhouse, and your old fellow-servant Joseph issued out to receive us by the light of a dip candle. He did it with a courtesy that redounded to his credit. His first act was to elevate his torch to a level with my face, squint malignantly, project his under lip, and turn away. Then he took the two horses and led them into the stables, reappearing for the purpose of locking the outer gate, as if we lived in an ancient castle. </p>
<!-- ... -->
<p>I do hate him — I am wretched — I have been a fool Beware of uttering one breath of this to any one at the Grange. I shall expect you every day. Don't disappoint me. </p>
<p> ISABELLA.</p>
</div3>
</div2>
</div1>
<div1 type="volume" n="2" xml:id="d19">
<head>Volume 2</head>
<!-- ... -->
<div2 type="chapter" n="2.20" xml:id="d39">
<head>Chapter 2.20</head>
<pb n="326"/>
<!-- ... -->
<p>I lingered round them under that benign sky, watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth. </p>
<trailer> The End </trailer>
</div2>
</div1>
</body>
</text>
[3]

Bibliography

[1] Based on a TEI P4 XML encoding of Jones, Malcolm (2006). British Printed Images to 1700, Print of the month, September 2006. London: Centre for Computing in the Humanities, King's College. Available online at http://bpi1700.cch.kcl.ac.uk/printsMonths/september2006.html.
[2] Based on TEI P4 XML encoding examples available in Muller, Charles, XML Technical Notes on the Yogācāra Bibliography. Accompanying documentation for the Yogācāra Buddhism Research Association. Available online at http://www.acmuller.net/yogacara/bibliography/bibnotes.html.
[3] Based on a TEI P4 XML encoding of Bronte, Emily (1847). Wuthering Heights. Encoded and made available by the University of Virginia Library, Text Collection at http://etext.lib.virginia.edu/toc/modeng/public/BroWuth.html.
[4] Based on a TEI P4 XML encoding of Cather, Willa (1979). Roll Call on the Prairies. In: The Red Cross Magazine, 14 (July 1919): 27-31. Edited by Andrew Jewell. Lincoln: Center for Digital Research in the Humanities, University of Nebraska-Lincoln. Available online at http://cather.unl.edu/nf007.html.
[5] Based on a TEI P4 XML encoding of Morgan, Eric Lease (1997). Clarence meets Alcuin; or, expert systems are still an option in reference work. In: P. Ensor (Ed.), The Cybrarian's manual (pp. 127-134). Chicago: American Library Association. Available online at http://infomotions.com/musings/clarence-meets-alcuin/index.shtml.
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